1/27/2024 0 Comments Super 35 vs full frame![]() And best of all, your full-frame glass won’t miss a beat when cropping in to a Super 35 field of view. From more limited-range, special use zooms like the telephoto CN-E 70-200 to full-range zooms like the Canon 17-120 t2.9, the selection and options are there for you to make exactly the right choice for you. From Fujinon Cabrios to Canon’s Compact Servo Zoom line to Zeiss Compact Zooms, there is a vast world of quality, portable zooms that are aimed more at a high-end broadcast market. One of the real advantages of committing to Super 35 mode for a project is lens selection. ProRes and XF-AVC are available internally, and with the Codex recorder you have access again to higher frame rates and Canon’s Cinema RAW. You can record 4K or downsample the sensor to 2K internally. FX9 has a 36mm x 24mm full-frame image sensor designed to bring the image qualities of large-format cinematography to handheld shooting. This camera’s Super 35 mode mimics the behavior of the original C700. Canon’s excellent native Cine Zooms make good use of the EF mount, drawing power and returning metadata and AF control. It fits on the shoulder and can be hauled around all day fairly comfortably. Super 35 - For Docs and BroadcastĪs is demonstrated so clearly in Newsshooter’s review of the original C700, this is a workhorse camera that can compete easily with Sony’s CineAlta series on high-end and high-volume broadcast work. Run-and-gun full frame lenses are not a fully mature technology. Exposes image information over the entire Full Aperture Area of the negative.resulting, arguably some say, with a much improved image quality. There are very high-end options, and there are photography lenses like Canon’s L-series zooms. But in the zoom world, quality full-frame options are fewer and far between. ARRI’s signature series and Zeiss Supreme Primes will fill out the high end of the market nicely, and there are already plenty of options on the lower ends.īut primes are most useful on a film set, where there is structure, crew, and breaks in the action to swap lenses. Note 1: While full frame lenses cover the full ALEXA LF sensor in all three sensor modes, many Super 35 spherical lenses also cover the LF 16:9 sensor mode, including: ARRI Ultra Primes 20 mm ARRI Master Primes 35 mm ARRI Master Macro 100 ARRI Ultra Wide Zoom 9.5 18 10 mm ARRI Alura LWZ 15.5 45 with Alura Extender 1. Certainly there is already a strong market of full-frame cinema primes in Canon EF and ARRI PL - including Canon’s own excellent selection. But that of course assumes that the type of lens you are looking for is available. ![]() The larger sensor requires physically larger lenses, adding again to the weight of the whole package. The Canon C700 FF also has a somewhat limited full-frame lens selection.
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